Aerosmith 3/26/78 Tower Theater Upper Darby, PA Source: FM > bootleg CD (silver) > DAT > 8 years in a box in various closets >WAV (using CoolEdit and an Audigy sound card) from the Oh Boy label CDs "The Ultimate Killer Show" and "The Increasing Killer Show". track listing: 01 - Rats In The Cellar 02 - I Wanna Know Why 03 - Big Ten Inch Record 04 - Walk This Way 05 - Sight For Sore Eyes 06 - Seasons Of Wither 07 - Sweet Emotion 08 - Lord Of The Thighs 09 - Kings And Queens 10 - Chip Away The Stone 11 - Get The Lead Out 12 - Get It Up 13 - Draw The Line 14 - Same Old Song And Dance 15 - Toys In The Attic 16 - Milk Cow Blues 17 - Train Kept A Rollin' This is during Aerosmith's "Draw The Line" tour, of which many shows were recorded for the official live album "Live bootleg". Several shows, including this one, were also broadcast over FM radio. Unfortunately, since it was the "Draw The Line" tour, the band played many tracks from the "Draw The Line" album, which was weaker than any of their previous albums due mainly to the drugged-out state of the band at the time. ("The Beatles had their white album. We had our black-out album." -bass player Tom Hamilton.) So, instead of possible treats like "One Way Street", "Mama Kin", "S.O.S.", "No More No More", or "Last Child", this show featured songs like "Get The Lead Out", "I Wanna Know Why", "Sight For Sore Eyes", and "Get It Up". Not familiar with these titles? There's a good reason why. One listen to the show and you'll know why the album went down in a blaze of obscurity... Case in point: "Kings And Queens" had just been released as a single and was added to the set. To make room, instead of dropping one of the other new tracks, the band chose to leave out "Dream On". One high point for the set list was the inclusion of the otherwise obscure "Seasons Of Wither" on this tour. Steven Tyler has stated that this is his personal favorite Aerosmith song. This is probably the first time the band played "Kings And Queens" live. Though the song was by far the strongest track on the album, it didn't work well in concert (a little bit of rehearsal would have done wonders - have fun counting the times Tyler flubs or completely forgets the lyrics) and was rarely played after this show. Overall, this is an excellent document of the beginning of the end for Aerosmith. The sound quality is pretty good (post broadcast FM, with very few tape generations before finding its way to bootleg CD) and the performance, though not stellar, is certainly not bad.